Reality is clashing with the narrative elite institutions have pushed on the country for years—and the American people are finally waking up and choosing sanity.
Despite what corporate media claimed about the “No Kings” protests reflecting majority sentiment last weekend, the lack of energy and cohesion was clear.
Ignore the shouting from all fronts—protesters, Democrat politicians, and the media. A majority of voters approve of the Trump administration’s deportation efforts. Fifty-six percent of respondents to a recent Napolitan News Service survey said they either strongly or somewhat approve of the deportation of illegal aliens from the United States.
While Los Angeles Mayor Karen Bass warns the Immigration and Customs Enforcement deportations are a bad idea because entire sectors of the economy “could not function without immigrant labor,” more than 90% of the jobs at one facility were taken back by legal Nebraskans just days after a major ICE raid. Turns out Americans will do the work—they just have to be offered the opportunity.
On this week’s episode of Problematic Women, we’re diving into the growing clash between elite narratives and everyday reality—from college grads struggling in a broken job market, to ICE enforcement restoring American jobs, to pop culture’s identity crisis with stars like Sabrina Carpenter. It’s a full spectrum of chaos, clarity, and the quiet return of common sense.
It’s not just statistics backing up this return to sanity—the sports world is feeling it too. During the Los Angeles Dodgers’ Pride Night, all-star pitcher Clayton Kershaw wore a hat with a Bible verse written on the side, reclaiming the meaning of the rainbow. And at the White Sox’ stadium? Pope Leo XIV himself sent in a video urging people to recognize God’s presence. Compare that to what’s going on at some of these Pride Night games, and it’s a stark cultural contrast.
But, as usual, the entertainment industry hasn’t quite caught up yet with rejecting insanity. Carpenter has both the Left and Right melting down over the provocative album art for her new record, “Man’s Best Friend.” After years of modern feminism insisting that women must reject the “male gaze,” we’re now seeing the consequences. Carpenter’s branding is a revealing case study in the conflicting interests female pop stars face today—trying to balance their natural, traditional femininity with feminism’s demand for pseudo-sexual rebellion.
